Partap Sharma: playwright, author, actor, director and commentator

A Touch of Brightness: Biography of Partap Sharma

Partap Sharma born December 12, 1939 is an Indian playwright, novelist, author of books for children, commentator, actor and documentary film-maker. A gifted writer, Sharma covers a wide range of subjects and perspectives, and as a master craftsman delivers intricate ideas simply.

Like Mahatma Gandhi, the subject of one of Sharma’s most applauded plays “Sammy!” Sharma found that uncovering the truth was not always popular. In Contemporary Authors Sharma explains:
"Stories are perhaps a way of making more coherent and comprehensible the bewildering complexity of the world. I learn and discover as I write and I try to share what I have understood.
This began with me when I was a child, before I could read, and when I needed to deduce a story to explain the pictures in a book. But that is just the technique; the aim is to uncover an aspect of the truth. The truth isn’t always palatable. Two of my documentaries and a play were, at various times, banned. The High Court reversed the ban on the play; it is now a text in three Indian universities and has been the subject of a doctoral thesis in drama at Utah University."
Partap Sharma: playwright, author, actor, director and commentator
Partap Sharma: playwright, author, actor, director and commentator.

Background

Sharma was born in Lahore which was then part of India and is the oldest son of Dr. Baij Nath Sharma and Dayawati (Pandit) Sharma. Sharma’s father was a civil engineer who served as Technical Advisor to governments in Ceylon, Tanganyika and Libya and later retired to their ancestral property in Punjab as a gentleman farmer. This colourful Punjabi village forms much of the backdrop of Sharma’s novel, Days of the Turban.

Sharma’s early education was in Trinity College, Kandy, Ceylon (now Sri Lanka) and then at Bishop Cotton School, Shimla. Sharma received a triple promotion and completed school at 14 before going to study at St. Xavier's College, Bombay mainly because all other universities in India required a minimum age of 16. He is married to Susan Amanda Pick, they have two daughters: Namrita and Tara. Tara is, of course, known to many as the beautiful Bollywood actress, Tara Sharma.

Sharma’s association with the Indian National Theatre, Mumbai, began in 1961 with the production by it of his first full-length play “Bars Invisible” and continued till the eventual production of the banned “A Touch of Brightness.” While working at his writing, Sharma freelanced as a narrator for short films and newsreels. In due course, he also directed a few documentaries for the Government of India.

He was TV host of the popular programme “What’s the Good Word?” produced by Television Centre, Mumbai.
One of India’s leading voices heard in narrations and commentaries on film, radio and TV, he has voiced many national and international award-winning documentaries and short films. He is known as the golden voice of India, and has often been referred to in the Press as simply ‘The Voice’. He is the voice on most of the Son et lumière shows produced in India, including the one still running forty years later, at the Delhi Fort, in Delhi.

Writings

Books

  • The Surangini Tales
  • Dog Detective Ranjha
  • The Little Master of the Elephant
  • Top Dog
  • Days of the Turban
  • A Touch of Brightness
  • Zen Katha
  • Sammy!
  • Begum Sumroo
  • Staged Plays

  • Brothers Under The Skin (1956)
  • Bars Invisible (1961)
  • A Touch Of Brightness (1965)
  • The Word (1966)
  • The Professor Has A Warcry (1970)
  • Queen Bee (1976)
  • Power Play (1991)
  • Begum Sumroo (1997)
  • Zen Katha (2004)
  • SAMMY! (2005)
  • Documentaries and Films

    Partap Sharma has directed some outstanding documentaries, as independent producer and for the Government of India’s Films Division, and Channel Four Television, U.K. His film credits include:

    Documentaries

  • The Framework Of Famine, 1967, an investigation of how nature’s devastation is compounded by human corruption and inefficiency; banned for it’s “ruthless candour” then released after other documentary-makers protested.
  • The Flickering Flame, 1974, a study of the mismanagement of the energy crisis and its effect on the suburban housewife; banned and never released.
  • Kamli, 1976, a short film depicting the status of women in rural Indian society.
  • The Empty Hand, 1982, (co-directed) a prize-winning audiovisual about the art of karate.
  • >Viewpoint Amritsar, 1984, co-directed a film about the Golden Temple and environs in the aftermath of Operation Bluestar.
  • The British Raj Through Indian Eyes, 1992, a documentary series telecast in 1992 by Channel Four Television UK.
         Part I: The Uprising of 1857.
         Part II: The Massacre at Jallianwallah Bagh 1919.
    The museum of the British Empire and Commonwealth, in Bristol, now has a permanent section entitled The Sharma Archive consisting of 30 video and 67 audio tapes made by Partap Sharma. Interviews and footage of Indian nationalists, freedom fighters and writers. Indian perspectives on the Raj. Some transcripts available (CDs, Videos and Cassettes).
  • Sailing Around The World And Discover America Yachting Rally, two video programmes directed by Sandhya Divecha and produced by Sharma’s Indofocus Films Pvt. Ltd. British Raj Hindustani Nazron Se, 1995-98, A Hindi TV Serial.
  • Children’s Film

  • The Case Of The Hidden Ear-Ring, 1983
  • Feature Films

    As an actor Sharma played a role in the Merchant-Ivory film “Shakespearewallah”. Other films include the lead role in the following Hindi films:
  • Phir Bhi (1971)
  • Andolan (1975)
  • Tyaag Patra (1980)
  • Pehla Kadam (1980)
  • Nehru – The Jewel of India (1989)
  • The Bandung Sonata (2002) Filmed in China, Sharma played Nehru in this international film which was subsequently re-titled for release in China as Chou-en-Lai in Bandung.
  • Awards and Honours

  • Sharma’s literary genius was recognized at an early age, and he won numerous first prizes in school and university in debating, elocution and acting including first prize at the All India Inter-University Youth Festival, Delhi, in 1958.
  • 1971 National Award for the lead role in the feature film “Phir Bhi” which also won the National Award for the best Hindi film of the year.
  • Cleo Award U.S.A for best voice.
  • 1976 RAPA First Prize for best voice in radio spots.
  • 1992 the “Hamid Sayani” Trophy for a lifetime of all-round excellence in radio and television.
  • 2000 Ad Club of Mumbai Award for Lifetime Contribution to Advertising.
  • 2004 the “Dadasaheb Phalke Award" with the citation ‘the voice of India’ on behalf of 35 associations of professional cine workers representing all branches of the Indian film industry.
  • Biographical References

  • India Who’s Who, Infa publications, India.
  • Contemporary Authors, Gale Research Company, Detroit, U.S.A.
  • Asia’s Who’s Who, Asian Publishing House, India.
  • Dictionary Of International Biography, International Biographical Centre, Cambridge, England.
  • Biography   Zen Katha   A Touch Of Brightness   Begum Sumroo   Days Of The Turban   Dog Detective   Little Master Of The Elephant   Sammy   Surangini   Top Dog   India Stories   Awards Please click an image to read
    about Partap's work and awards.